G8: Signals and Emissions – Ham Radio General License Study Guide
G8 covers how radio signals are generated and characterized — from the basic modulation methods (AM, FM, phase modulation, and digital modes) to the mathematics of mixing, the effects of intermodulation, FM bandwidth calculations, and the rapidly expanding world of digital emission modes. Three exam questions come from this subelement, one from each group.
G8A covers carriers and modulation: how AM, FM, phase modulation, and direct FSK work; what a reactance modulator produces; how QPSK and QPSK31 work; what overmodulation and flat-topping are; what the modulation envelope is; what FT8 uses for modulation; and how link budgets and link margins are calculated. G8B covers frequency mixing, bandwidths, FM deviation, and intermodulation: heterodyning, image response, frequency multipliers, Carson's rule for FM bandwidth, deviation calculations, duty cycle considerations, symbol rate versus bandwidth, and odd-order intermodulation products. G8C covers digital emission modes: WSPR, packet radio headers, Baudot code, ARQ protocols, FT8's weak-signal capability, PSK31 Varicode, mesh networks, forward error correction, FSK mark and space, waterfall display interpretation, and digital voice modes.
G8A: Modulation and Carriers
Modulation is the process of varying one characteristic of a carrier wave to carry information. The three fundamental types and their digital equivalents each vary a different property of the RF signal:
- Amplitude modulation (AM) — varies the instantaneous power level (amplitude) of the RF signal. The carrier's strength rises and falls in proportion to the audio signal.
- Frequency modulation (FM) — changes the instantaneous frequency of the RF wave. The carrier frequency deviates above and below the center frequency in proportion to the audio amplitude.
- Phase modulation (PM) — changes the phase angle of the RF signal. A reactance modulator connected to a transmitter RF amplifier stage produces phase modulation. PM is closely related to FM and often sounds similar to the ear.
- Frequency shift keying (FSK) — a digital form of FM where the carrier frequency shifts between two or more discrete values to represent data. In direct binary FSK, the oscillator frequency is changed directly with a digital control signal.
Single sideband (SSB) uses the narrowest bandwidth of any phone emission mode. By suppressing the carrier and transmitting only one sideband, SSB conveys the same audio information in roughly half the bandwidth of AM.
Overmodulation occurs when the audio level drives the modulator beyond 100%. The effect is excessive bandwidth — the signal splashes into adjacent frequencies and causes interference. A specific form is flat-topping, where the peaks of the modulated waveform are clipped flat, indicating signal distortion caused by excessive drive or speech levels.
The modulation envelope of an AM signal is the waveform created by connecting the peak values of the modulated signal — it traces the outline of the amplitude variation and has the same shape as the modulating audio waveform.
QPSK (Quadrature Phase Shift Keying) transmits digital data by using four phase states — 0°, 90°, 180°, and 270° — to represent pairs of bits. Two bits are encoded per symbol, doubling the data rate for a given bandwidth compared to BPSK. QPSK31 combines this with a 31.25 baud rate and is sideband-sensitive, provides error correction, and has approximately the same bandwidth as BPSK31.
FT8 uses 8-tone frequency shift keying (8-FSK), which gives it the ability to decode signals with very low signal-to-noise ratios when used with its weak-signal protocol.
A link budget accounts for all gains and losses in a radio communication path. It equals the sum of transmit power and antenna gains minus system losses, as seen at the receiver. The link margin is the difference between the received power level and the minimum required signal level at the input to the receiver — it represents the safety margin above the sensitivity threshold.
G8B: Bandwidth and Frequency Control
A mixer is a circuit that combines two RF signals to produce new frequencies — specifically the sum and difference of the two input frequencies. This process is called heterodyning. In a superheterodyne receiver, the local oscillator (LO) is the mixer input that is varied or tuned to convert signals at different frequencies to a fixed intermediate frequency (IF). The RF input is kept at the received signal frequency, while the LO is adjusted.
Image response is a type of mixer interference caused by a signal at twice the IF frequency away from the desired signal. Because a mixer responds to both the sum and difference products, an unwanted signal at the image frequency can be converted to the same IF as the desired signal, appearing as interference.
In VHF FM transmitters, the modulated oscillator often runs at a lower frequency than the final output. A multiplier stage generates harmonics of this lower frequency to reach the desired operating frequency. When the signal is multiplied, the frequency deviation is multiplied by the same factor.
FM bandwidth can be estimated using Carson's rule: total bandwidth ≈ 2 × (deviation + modulating frequency). For a 5 kHz deviation and 3 kHz modulating tone: 2 × (5 + 3) = 16 kHz. The frequency deviation at a lower-frequency oscillator stage is proportionally smaller: a 12.21 MHz oscillator in a 146.52 MHz system with 5 kHz final deviation has 12.21/146.52 × 5000 ≈ 416.7 Hz of deviation at the oscillator.
Duty cycle is the fraction of time a transmitter is actively transmitting. It is important to know because some digital modes have high duty cycles — transmitting continuously for extended periods — which can exceed the transmitter's average power rating even if the peak power is within limits.
Matching receiver bandwidth to the operating mode produces the best signal-to-noise ratio. A bandwidth wider than the signal admits more noise; a bandwidth narrower than the signal clips parts of it.
The relationship between symbol rate and bandwidth is direct: higher symbol rates require wider bandwidth. Each symbol transition requires a certain amount of spectrum, so faster transmission always costs more bandwidth.
Intermodulation is the production of unwanted spurious outputs when two or more signals combine in a non-linear circuit. The outputs closest to the original signal frequencies are the odd-order products. An example of an odd-order intermodulation product of F1 and F2 is 2F1 − F2 — this falls near F1 and can fall right on an adjacent channel.
G8C: Digital Emissions
Amateur digital modes cover a wide range of techniques. Key modes and their characteristics:
WSPR (Weak Signal Propagation Reporter) is a low-power digital mode used as a beacon for assessing HF propagation. Stations transmit short, weak signals that propagation-reporting networks decode and upload to a worldwide database.
FT8 is a narrow-band digital mode capable of receiving signals with very low signal-to-noise ratios. An FT8 signal report of +3 means the SNR is equivalent to +3 dB in a 2.5 kHz reference bandwidth. FT8 uses 8-tone FSK (covered in G8A).
PSK31 uses Varicode to encode characters — a variable-length code where common letters have shorter bit sequences and uncommon characters (including upper case) have longer sequences. Upper case letters use longer Varicode bit sequences, which slows transmission speed.
Packet radio organizes data into frames. The part of a packet radio frame that contains the routing and handling information is the header. The header tells the network where the packet is going and how to handle it.
Baudot code is a 5-bit code with additional start and stop bits, used in RTTY (radioteletype). It predates ASCII and is the standard code for HF RTTY operation.
ARQ (Automatic Repeat reQuest) is an error-correction protocol. A NAK (Negative Acknowledgment) response requests retransmission of the packet that was received with errors. If an ARQ link fails to exchange information successfully after excessive transmission attempts, the connection is dropped.
Forward Error Correction (FEC) allows a receiver to correct data errors without requesting retransmission by transmitting redundant information along with the data. The receiver uses the redundancy to reconstruct the original data even if some bits are corrupted.
In FSK (Frequency Shift Keying), the two frequencies are identified as mark and space. Mark is the frequency representing a binary 1 (or key-down condition); space represents a binary 0.
A mesh network of microwave nodes provides redundancy: if one node fails, a packet can still reach its target station via an alternate node. This resilience is the defining property of mesh topology.
A waterfall display presents frequency horizontally, signal strength as color intensity, and time vertically (time scrolls downward). Overmodulation or splatter appears as one or more vertical lines on either side of a data mode or RTTY signal in the waterfall.
Digital voice modes encode voice as digital data. The three principal amateur digital voice systems are DMR, D-STAR, and SystemFusion (Yaesu Fusion). WSPR, FT8, and similar modes are weak-signal data modes, not voice.
Study These Topics
AM, FM, phase modulation, FSK, QPSK, overmodulation, FT8 modulation, link budgets, and link margins.
Study G8A →Heterodyning, image response, frequency multipliers, FM deviation, Carson's rule, intermodulation, duty cycle, and symbol rate.
Study G8B →WSPR, FT8, PSK31, packet radio, Baudot code, ARQ, FEC, FSK, mesh networks, waterfall displays, and digital voice modes.
Study G8C →G8A: Modulation and Carriers →
← G7C: Transceiver Design